Erik Marthaler

Interviewed by Nadja Atwal/Photos by Erik Marthaler She’s back! A visionary artist, a licensed clinical professional psychotherapist, certified art therapist and a former graduate art therapy/psychology professor at both the school of the Art Institute of Chicago and DePaul University, MSM sits with Sarah Raskey for our latest cover story. You can find her art at her own Sarah Raskey Fine Art Gallery in West Loop, Chicago where she exhibits her work exclusively. Sarah is also the co-founder/owner of Open Avenue Therapy, a Chicago-based private psychotherapy practice since 2008. She has exhibited nationally and internationally since 2000 and had created a prolific volume of work in both residential and commercial settings. Some of her notable works: She has several pieces at the Kimpton Hotel Allegro in Chicago which includes an 8’ x 6’ three-dimensional self portrait adorned with vintage jewelry, as well as 90’ of custom carpeting. Within the last years she has also created an illuminated 16’ x11’ custom art wall for MB Steak restaurant located in the Hard Rock Hotel in Las Vegas. What made you decide to make art your profession and how did you get started? I have created since as far back as I can remember and art making could easily be considered my first love. Creating felt like this whole secret world I was connected to that held endless possibilities for me to explore and it came as natural to me as breathing.  In high school I began to take college level courses and I attended university with an art scholarship. I double majored in both art and psychology as I was completely fascinated by art as it related to body, mind and spirit which led to getting my masters in art therapy.  I deeply believed then as I do now, that art held the capacity for profound healing and could be looked at even as a planetary resource. After I graduated from college I began to exhibit and sell my work out of the love of being able to share my work and connect with others, while simultaneously working as a full time art therapist at a mental health facility. My commitment to the potentiality of art manifested into my pioneering that facilities first art therapy program servicing at risk youth living with mental illness as well as becoming a graduate professor at the art institute of Chicago. I guess what I am getting at is that art has always been so integrated into the landscape of my personal life, that art being a large part of my professional or career path was never really a decision as much as it was just never a question.  Ironically during a time period when I was physically debilitated by health issues, it was art once again that I turned to and leaned into more than ever to cope and to heal. Working as a full time art therapist at my private practice during that time period proved to be exceptionally energetically challenging after having undergone several surgeries. So I began again to use my art intensely as a tool to work through parts of my emotional and physical reality, when words were not enough. That moment in time was a pivotal catalyst that shifted my focus to more of the commercial art realm.  There was something so fragile about my health and my gift that I made a promise to my art that once I was finally on the mend, I would give my creative life much more of my time and attention. It was a way to honor my artistic journey while I continued to heal and remained deeply moved to share work differently and more robustly however I could. Some artists don’t support the commercializing of art. Others – like Dali – did it successfully and felt it was simply a way to make their art accessible to more people? Where do you stand on that topic? Entering more fully into an art market was never about anything other than my raw, pure, authentic, love of creating. For years I have been deeply driven to connect with others and cultivate meaningful dialogue about art by the sharing of my self expression. I actually see it as an extension of my work as an art therapist.  My creation of highly customized personal work for clients has undoubtedly been another way to encourage people to engage, reflect and flourish in the art realm as it pertains to their own story. It is similar in nature to that of a tattoo artist by creating something for someone else that holds deep meaning for them that they can look at every day. Perhaps I also subconsciously have always perceived the visual arts to be a bit of an unsung hero. My hero. And one I wanted to spend as much time with as possible. So it has always been a top priority of mine to raise as much awareness and accessibility to the potentiality of the visual arts as possible. This means accepting the gravity of being able to reach as many hearts and minds as possible all over our planet.  In my opinion, so long as does not disenfranchise the integrity of the work of an artist, the commercialization of art can be a healthy vehicle for allowing a broader audience to be an active part of the conversation of arts value – not just from a marketplace perspective but the value that art brings to the table in the way of self care and unity. How did the Chicago art scene react to you given that you are a woman and on top stunningly beautiful? If I am being fully transparent, I struggle to answer this. Whether in Chicago or any place else for that matter, I have always been self conscious that my being a woman in general could interfere with how my art was received and valued. That my appearance could be entirely problematic. That no matter what I have done or