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Culinary, The Issue

Scott Conant: The Man Behind the Glasses

By Nycole Sariol Photography by Nick Garcia (Blindlight Studio)  Scott Conant receives a lot of flak from his critics. His sometimes brutally honest appraisal of dishes whipped together with off-the-wall ingredients by amateur chefs, oftentimes earns him the role of the “mean guy” on the Food Network’s competition series Chopped. But there’s something he’d like to declare: “I’m much nicer than they make me look.” It’s true; the laugh-happy guy behind a pair of thick- framed Dita Whitehall eyeglasses is as nice as they come, and was proven so during our interview on an ordinary Monday afternoon. In his defense, Scott says the edits and strategic cuts attribute much to his sharp-tongue moments on the show. “The way they edit sometimes makes us look a little more direct and less caring of people’s feelings, which couldn’t be further from the truth.” Typically, the depletion of one’s self-moral usually ensues after cinematographic adjustments such as these, evolving into a self-fulfilling prophecy so to speak. But for Scott, he takes all the mean-guy mumbo jumbo with a grain of salt, and instead, embraces all the quirks that come along with the biz. “I smile a lot in person, and I think that’s always edited out,” says the award-winning chef, “but it essentially makes for a better show. I doubt I’d be on people’s lips at all if I was just a ‘nice guy.’ So I deal with it.” In fact being pinned as the Chopped bully has its unforeseen benefits. And instead of being punished, he was granted his very own commercial and partnership with the luxury car brand, Infiniti. The 31-second commercial depicts Scott on his day off picking up a pie of pizza, and his friends, in a 2015 Infiniti QX80. The gist of the commercial was warm and trustworthy, and it drove the haters into a feeding frenzy. “I get a lot of grief for that – a chef doing a car commercial, right?” he laughs. “The commercial was very much like me – approachable. There are haters obviously, but you know you’re doing something right when you have haters,” he quips. “The commercial was very personalized and that’s why it resonated so well on camera.” Moreover, the Infiniti brand is a part of Scott’s vehicular DNA, stating that he has “driven a number of Infiniti’s over the years. If I didn’t love it, I wouldn’t stand behind it,” quieting the haters with a just testimony. But Scott has nothing to prove or disprove in the kitchen; actually, it’s where all his hate mail comes to die. Having opened award-winning restaurants such as L’Impero in Manhattan back in 2002, and Scarpetta, planted in Las Vegas, Los Angeles, and here in Miami at The Fontainebleau, the 30-year vet knows not of the word “worry.” Nor does he have time for it. Especially now that he has rooted his latest dining concept, Corsair, on the Champion Miller golf course of Aventura’s Turnberry Isle Resort, nine-weeks back. And thus far, the farmhouse- cum-restaurant has hoarded nothing but praise flooding through its doors. “So far, it has received a lot of positive feedback; it’s definitely a different market than Miami itself,” says Scott. “Since the beginning, business has been well, and it’s a lot different than Scarpetta.” The mood at Corsair is rustic; and tangible surroundings like its open kitchen concept, clean white tile backsplash, studded, tufted bar stools, and old-world geometric tiled floor play up its rusticity. Alongside New York design boutique, Meyer Davis Studio, who also takes credit for Lure Fishbar’s interior, Scott wanted to create a refined albeit comfortable space that would dignify Corsair’s Mediterranean-inspired menu. “Essentially, it gives the feeling of what the food would be like if you were eating in a farmhouse. It’s a three-meal restaurant, so it has a more casual feel,” he says of his intermittent seasonal menus that shape the restaurant’s breakfast, lunch, and dinner services. Casual, however, does not mean that the quality of food and luxe flavors have been abandoned at Corsair, but elevated instead. Juxtaposing a farmhouse authenticity with quintessential Mediterranean plates gives way to dishes like the Short Rib Lasagna, a house favorite.“It’s not a traditional lasagna,”Scott says of his version on the Italian classic. He’s right; traditionalism is nowhere to be found beneath the flux of black truffle shavings topping the meaty bed of Fonduta cheese, tender short rib, and locally sourced winter vegetables comprising the lasagna life-changer. It’s plain to see that every one of his menu offerings consist of an unexpected twist of some sort. Take Corsair’s pancakes for example, or “sexy” pancakes, as Scott calls them. Instead of the humdrum likes of maple syrup, Scott pours chamomile cream down their soufflé-like ridges. Though Mediterranean flavors and unconventional interpretations have a strong presence at the restaurant, children have also been a huge influence over its menu options, and more specifically, its a la carte menu. “We just started an a la carte menu a few weeks back and the one thing I took into consideration were the children staying at the hotel. So, I had to take a different approach to a lot of things, which has mainly been to cater to families,” says the proud father of two. Aside from the recent downpour of attention at Corsair’s doorstep, hearsay of Scott opening up another compost in New York has been something of a culinary innuendo. “I’ve got ways to go on that,” he speaks of his next foray on the restaurant scene, Conant. “Right now, my focus is really Corsair: making sure the hotel is happy with it, making sure I’m happy with it, and making sure the management is in a good place. Only then will I turn to my next project.” What Scott doesn’t know is that turning point might rear its head sooner than he expects, judging from the crowned success of the nine-week old restaurant. But until that day of Conant’s alleged arrival in New York, Floridians will assemble to a farmhouse on a

Living, The Issue

Interior Design with #RichKids of Beverly Hills Star Roxy Sowlaty

By Angela Betancourt Photography by Aubrie Pick  A peach One Kings Lane Ava Settee couch basks in the warmth of the sun as it shines through the window on a perfect day. A mid-century brass vase glimmers on top of a West Elm marble box frame coffee table, while an ivory Moroccan Fez wool shag rug, beckons to be touched. For interior designer and TV personality, Roxy Sowlaty, these are the makings of a perfect living room, for the spring season. Roxy is one of the stars of E! Network’s #RichKids of Beverly Hills and the founder of her own interior design firm, specializing in high-end residential projects. Roxy is the product of a wealthy Persian family, and is the daughter of Acuprints CEO, Sam Sowalty. At just 26 years old, the Beverly Hills native is proving to be more than just another wealthy pretty face in the sea of reality TV stars. Roxy has worked in the design industry since she was 16 years old, when she started a clothing line with her sister, Tara, called RoxTar. She graduated from the University of Southern California’s Marshall School of Business, and later enrolled in Parsons New School of Design in New York City where she graduated with her Master’s degree in Interior Design. In addition to New York, she has designed a variety of homes in cities like Los Angeles, Aspen, and Bel-Air that ranged from 800-square-foot city apartments to extravagant mansions. Her style is timeless, yet never dated and her ability to infuse vibrant flair into any room is capturing attention nationwide. Despite what her ties to “rich kids” might imply, Roxy is passionate about helping others design homes they will love regardless of their budget. Redecorating doesn’t have to cost a fortune, and Roxy demonstrates that perfectly with her favorite interior looks for spring. This spring it’s all about warm pastels, white linens, Carrara marble, and lots of metallic accessories. Starting with the living room, Roxy recommends making things brighter and more vibrant by incorporating peach and coral colored fabrics and metallic accessories into the design. Replacing drab, lifeless pillows with new ones in fun, bright colors or patterns is an affordable way to bring spring into any room. Another quick and affordable way to give a room a lift is with a great area rug. An area rug is actually one of Roxy’s favorite design elements and it has often been the starting point for her decorating projects. “Rugs are usually the largest and most defining piece in a room. Going from a dark to light color can really change the look of the entire space,” she explains. The furniture that will be around this carpet is also important. Carrara marble furniture is one of Roxy’s favorite decorating items. This is the next best thing when your budget doesn’t allow for a full marble renovation. Carrara marble immediately gives a room a much more expensive look. In a blog post Roxy gushed that “Carrara marble makes anything look instantly sexy and beautiful.” If you opt not to buy any Carrara marble, the beauty of furniture is that it can easily be reorganized. “Sometimes just moving an existing side table makes all the difference.” One of the biggest mistakes she sees people make when it comes to furniture is buying matching room sets. “Buying a room set seems easy, but there is no dimension. You have to mix it up.” Rather than buying everything from the same location, Roxy recommends shopping around at various stores for great finds that will complement each other. “You don’t want things to look cookie cutter.” She recommends going to stores like West Elm, Target, Pier One, and Urban Outfitters to find unique and affordable pieces to bring home. “So many things are being massed produced and it’s more important than ever to connect to your true personality. We all have our personal style. But if you don’t know where to begin social media sites like Pinterest and Instagram are good ways to find and keep track of rooms that you gravitate to.” When it comes to picking the right furniture size, Roxy says that bigger is always better. It’s a common misconception that if you live in a small space you need small furniture. The opposite is actually true. “Bigger furniture can actually make a space look larger.” Her favorite springtime look for the bedroom also incorporates a lot of warm pastel colors, warm peaches, and creams. Intertwining metallic and pastel colors is her secret to creating a soothing yet vibrant space. “Use pastels as your base or accent color and add metallics like silver and gold.” No matter what your budget; revamping your home for spring doesn’t have to cost a fortune. Some warm colors, the right accessories, and a bit of creativity can go a long way.   Click here to view post on the 2015 March/April issue.

Cover Stories, Culinary, The Issue

If You Can’t Take the Heat, Get Out of the Kitchen – Cover Feature

Photo by Bill Bettencourt By Nycole Sariol On a late Wednesday afternoon, Chef Tom Colicchio is late to catch a flight. Colicchio is no stranger to airports these days. Especially since signing with Bravo yet again to host the mega-network’s newest competition series, Best New Restaurant, in which the infamous Top Chef host scours the country in search of the nation’s best all-around restaurants, one city at a time. “Uh, non-stop services…all flights are…” he trails off as he mutters chopped-up thoughts underneath his breathe, popping in and out of our phone interview. Though the departure prompter has now summoned fifty percent of Tom’s attention, the other half was tightly transfixed on divulging the meat and potatoes of his latest small-screen endeavor. “The show is about so many different talents coming together rather than one chef; this is about the entire restaurant,” elicits Tom. Best New Restaurant debuts on January 21st at 10pm eastern time and the pressure to win has never been more paramount for the sixteen competing restaurants, rooted in the large-scale metropolises of Los Angeles, New York, Austin, and our very own Magic City. Tom, alongside BlackboardEats founder Maggie Nemser and New York restaurateur Jeffrey Zurofsky, will judge the qualified restaurants aspiring to take home a semi-finalist spot at the end each episode. During the first eight episodes, the grub hubs will dual it out in a trifecta of adrenaline-pinching tasks: first, the chosen restaurants must endure the “Pressure Test” of juggling a flurry of ravenous walk-ins and the intensity of a packed house. Next come the hidden cameras, where “Undercover Diners” secretly capture the overall service and experience of the restaurant through a customer’s eye view. The two restaurants that have surpassed each of the aforementioned tasks will then face each other in a thirty-seat VIP dinner service, taking them into the semifinalist rounds. The winner of the show will revel in a stew of glory consisting of an exclusive feature in Bon Apétit magazine, participation rights at Vegas Uncork’d, and a well- deserved monetary pleasantry of one-hundred grand. It all sounds as juicy as it looks. But perhaps the juice worth squeezing are the contestants themselves. “What’s interesting is that we have all types of restaurants participating: we’re not out there looking for white table cloth, upscale restaurants – we have Barbeque, mom and pop, and fast casual restaurants that have invested their entire life savings and maxed out credit cards just to open their shop,” Tom shares. “What’s really important is that we’re looking at these restaurants not only in context of how good their food is, but their over-all concepts.” Tom and crew know not of the word discrimination: as far as personalities go, the symposium of participating restaurants span the gamut, from prim fine dining to unchartered hole-in-the-walls, yearning to be discovered. Some of which, happen to fall within our very own backyard of the 305. To dutifully represent Miami with reverence, eateries like R House, Buns & Buns, The Federal, Tongue & Cheek, and Dolce Italian will take up their prongs and fight in our honor. Though Tom is not one for favoritism, he alludes great verve for one Miami restaurant in particular: “The Federal is a place that you probably drive by a hundred times and don’t even think about going to, but their food is fantastic – talk about putting their heart and soul into what they’re doing!” All quaking contention aside, it appears another chef and TV personality, who fancies a life of extreme candor and intimidation – more so then Colicchio himself – will make his uncanny presence known as Best New Restaurant’s executive producer: Gordon Ramsay. Ramsey can usually be recognized as striking fear into even the most steadfast of hearts in Hell’s Kitchen and Kitchen Nightmares, but today, he trades in his reigns of terror for a life of national wanderlust with his esteemed Colicchio counterpart. The show is an American spin on Ramsay’s UK series “Ramsay’s Best Restaurant,” so of course the British spitfire dug right in. Presumably, working with such an infamous kitchen- tyrant would evoke indubitable intimidation, but – surprisingly – Tom wouldn’t know – not yet at least: “I have yet to meet Gordon Ramsay,” Tom laughs. “Believe it or not, I have never met him, though I hear he’s a great guy to hang with. So, unfortunately, I couldn’t tell you what he’s like to work with.” Unbeknownst to the average eye, Best New Restaurant isn’t the only project that has Colicchio hell-bent. Aside from the soon-to-be-arrival of his New York hotspots, Living Room in the Beekman and the restaurant at Topping Rose House, the famed food activist has had his sights set on anchoring a dining concept right here amongst the sand-ridden shores of Miami Beach for quite some time. Whispers of Tom opening up a restaurant within the swanky walls of 1 Hotel South Beach wafted around for months, and up until recently those rumors were indeed confirmed truths. However, the decision of a name posed a slight problem for Tom and his team, and frankly, had everyone waiting anxiously on the edge of their seats. “It was hard naming this restaurant,” Tom says of what is now known as Beachcraft. “We came up with a bunch of different names that we wanted to explore, and working with the hotel we finally arrived at one.” Beachcraft dubbed most fitting in the eyes of Colicchio, due chiefly to the fact that Craft is Tom’s brainchild, brand, and the name of just about all of Tom’s restaurants scattered throughout the country. “Craft is our brand and the restaurant is in Miami Beach,” thus, “Beachcraft just made sense.” Mediterranean flavors imbue Beachcraft’s menu, while a Woodburn grill ignited by natural fuels and topped with locally sourced ingredients seek to help bewitch taste buds of its diners abound. And when it comes to making friends in Miami, Tom is in no short supply: he owes his local ingredient and farm connects to

Living, The Issue

The Ligné Group Arrives

By Angela Betancourt  This fall, just in time for Art Basel, Miami will welcome the highly anticipated Ligne Ateliers showroom to Wynwood. The Ligne Atelier is a boutique furniture and lighting showroom that caters to the elite clientele looking for the finest in home décor. This will be the company’s first showroom to feature all of the luxury brands they work with and give their clients the opportunity to engage with their offerings on a new level. The Ligne Atelier will be open to the trade as well as the general public. Collections in the Atelier are from the finest craftsman and designers throughout Europe and South America with designs ranging from contemporary to transitional for residential and select commercial projects. Founded by Meredith, 29 and her husband Yuri, 28, the Ligne Atelier is their new endeavor stemming from the couples highly established Ligne Group, a luxury de- sign company that is focused on building, promoting and distributing global brands. The Ligné Group was found- ed in 2013 and consists of three divisions: Ligné Agency, Ligné Magazine and Ligné International. The group has become a driving force behind the market expansion of leading industry brands, and continues to develop their portfolio throughout Europe and the Americas. Both Meredith and Yuri founded the Ligne Group to fill a void within the industry. Within the past few years, there has been a massive shift on how the industry executes its business functions. End users have become much savvier, and designers are discovering new methods to promote themselves that are found outside of the traditional design centers of yesterday. Meanwhile the balancing act to respect the designer and satisfy the end user has become more challenging. In the midst of all the change, Meredith and Yuri recognized an opportunity to help bridge the gaps and fill a void. The Ligne Group was their answer. There was a need on the business side to help designers connect with new products while helping buyers connect with new designers. The Ligne Agency division offers public relations, marketing, brand development, graphic design, and other services to their luxury design clients. Ligne International is the group’s sales, distribution, and import and export division and the Ligne Magazine is a quarterly online publication for the luxury shelter industry that serves as a resource for designers and the press about what is happening within the Ligne group. Despite being so young, the Ligne Group exploded onto the scene and quickly became a major player. The company has since worked with some of the world’s most impressive designers as well as with luxurious and iconic brands. Their new Miami Atelier is a reflection of their in- dustry clout. Brands being showcased include collection’s from Vaheed Taheri, Louis Kazan, Byford and Veronique, and Windfall Contemporary Crystal Lighting. Windfall Contemporary Crystal Lighting is a dynamic contemporary chandelier brand which has set out to re-define the nature of crystal chandeliers. The couple’s decision to establish the Ligne Atelier in Miami was in part because of how well Windfall sales were doing in the city. Their original plan was to open in Los Angeles. However, with Miami’s growing prestige as a designer city combined with all the new residential developments and foreign investments; Meredith and Yuri knew Miami, rather than LA, was where they needed to be. “We were doing great sales in Miami and that made us increasing more familiar with the city so we went with the demand” said Meredith. “We were already doing business in Miami prior to the decision of opening the Atelier here.” The selection of the Atelier in Miami gives the Ligne Group some added advantages they won’t get anywhere else. The cities proximity to South America gives However, with Miami’s growing prestige as a designer city combined with all the new residential developments and foreign investments; Meredith and Yuri knew Miami, rather than LA, was where they needed to be. “We were doing great sales in Miami and that made us increasing more familiar with the city so we went with the demand” said Meredith. “We were already doing business in Miami prior to the decision of opening the Atelier here.” The selection of the Atelier in Miami gives the Ligne Group some added advantages they won’t get any- where else. The cities proximity to South America gives them easier access to reach potential clients coming to Miami from key markets in that region. Meredith also explains that Miami’s design tastes are also a good fit for the Ligne Group and their new Atelier. “Miami has a bigger appeal for the contemporary aes- thetic and for the Miami lifestyle,” she said. “The views are a part of the décor so designs usually have clean lines.” Miami clients like to have some WOW factor whether it’s with an extravagant chandelier, a piece of art, or a pop of color from artwork. They understand these trends and are able to accommodate them via their access to a network of highly talented designers. Access to this network of creativity, will now be even more accessible with the opening of their Wynwood showroom. The couple is very excited to finally materialize a plan that has long been a part of their Ligne Group vi- sion. The Ligne Atelier, in addition to being a compa- ny milestone, will also be a testament to the hard work and expansive knowledge the company’s two founders bring to the table. Meredith obtained her B.A in Art History from Pepperdine University in Malibu, California and her M.A. in the Fine and Decorative Arts from the University of Glasgow in the United Kingdom. She studied architecture at Oxford University in England and traveled extensively through Europe while completing her dissertation. Her husband Yuri comes from the fashion industry. He’s worked with Fendi Case, Saks Fifth Avenue and Neiman Marcus where he was a couture buyer. Meredith met Yuri when she worked as Fendi’s art curator. It wouldn’t be farfetched to say that they are a design industry power couple. When they

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